Liza Campbell, second daughter to the 25th Thane of Cawdor, tells the story of her Grimm’s fairytale life – complete with castles, servants, evil charms, evil stepmothers and Beauty-and-the-Beast-style father. It is detailed look at the world of the nobility, immersed in bygone ways and traditions. Steeped in history as a child, Campbell knew how to do the Scottish reel before she attended parties with peers her own age and could explain the history of the area while knowing little of current events.
Liza Campbell's memoir depicts a privileged and tortured childhood made terrifying by her unpredictable and power-drunk father, Hugh Campbell, who didn’t know how to communicate love, except in letters. She describes her father's decline as he struggles with great responsibility and fear of living up to his family name by philandering, drinking, doing drugs, and selling family heirlooms. Although she was obviously scarred by her experiences, Campbell manages to portray her father with some sympathy. His parents did not teach him how to handle emotions, prepare him to handle his huge estate or show him how to be a good husband and father. His role models were always those who showed off their power, hurting those around them. Scared of the great responsibility to live up to his title and bearing the weight of generations, Hugh Campbell avoids it with every effort. At his death, he deals a blow to his successors that they are still dealing with today.
This is definitely a tell-all book, designed to bolster the position 26th Thane of Cawdor and his siblings in their feud over heirlooms with their stepmother. It is a fascinating story – I barely put it down over the 6 hours I read it – and I ended feeling fired up, wanting to send a letter to the Dowager Countess, demanding that she return all property to her stepchildren. This sort of story has sadly become more common as families split, remarry and make wills that run counter to expectations. It is my opinion that widows should be provided for, but that all family property and heirlooms should always follow family lines -- maybe reverting to them after her death -- unless they give up all claims to it. But, as Liza Campbell herself notes at the beginning of the memoir, “My story is only one slender wedge of the pie.”
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